Vintage Halloween Collectibles Research (1900-1979)

Sane Halloween Observer As a collector of vintage Halloween, I feel it is worth the extra steps to research the minutiae of these items' history for myself. And of the types of decor, this blog has frequently reflected on German imports (specifically time discrepancies per dates in modern guidebooks) --- but how about the historical availability of American-made merchandise? Mulling over vintage catalogs now for both German and the U.S., I started to consider the creation of a timeline that would test the reference dates provided in various guides. Therefore this entry is an exercise, perhaps proving the wisdom in expanding one's available resources. And again I would stress that much of the content here (as with previously presented German catalogs) is pulled directly from archival records. Following then are two timelines for two different witches --- American and German. First up is this iconic witch (one-sided at 15"x23") by Beistle described in one ...

Sane Halloween Observer This entry is dedicated to arguably one of the most ignored Halloween noisemakers of vintage collectibles - the Flex-a-tone ( wikipedia ). Its minimal graphics (opposed to artwork that lifts others into triple digits) may forever hold the value of this particular item down (as of this writing) to about $10-$25, and yet for audiophiles it could in fact be the most desirable of any in this genre. Contrary to other noisemakers with their monotonous racket, the musical sound of a Flex-a-tone  was used in the recording studios of classic cartoons and vintage jazz for its glissando effect - a warbling that changes tone - something like a ghost crawling up and down your spine. You probably recognized that sound instantly and can likely name a few tunes or shows where you've heard it? (For example, one person identified it used in the film Sinbad and the Eye of the Tiger (1977) whenever the evil sorceress Zenobia made her appearance). Well, it'...

Sane Halloween Observer Some items, like German diecuts and tin toys, repeatedly cycle through the market, perhaps indicating that if it's in a book or often listed on ebay that its not really a rare item at all --- or maybe those items just get attention simply because they've been loudly identified? While this noise continues with a known set of collectibles, occasionally some items are a genuine surprise. The item shown in this post, and not even in that good of condition, stunned quite a few people, even old-school enthusiasts. Why are we still lacking in information about some items, even the not so rare? Here's a digital rendering of how this diecut might have appeared as whole, noting that the bottom right corner (paw and tombstone area) is obvious artistic license based on the Gibson style. Digital version (above) and photo (below) as shared on facebook  Vintage Halloween .  Digital re-creation based on image below. Image as seen on  facebook...

Sane Halloween Observer A cool black cat from Gibson (circa 1930s) that follows the character design of many of their table decoration sets. In this instance the large diecut is an articulated hanging paper decoration --- a string would attach to slots (not visible) in the rear of the limbs and create motion when the "tail-end" string was repeatedly pulled downward and released. This particular example fortunately escaped any damage from excessive teasing... though i do wonder if the visibly missing tail was simply the string or a representational tail missing from the diecut? 

Sane Halloween Observer While prices on vintage German-made diecuts were optimistic this year, one might wonder if, like tin toys, this will be the next vintage Halloween category to fall on hard times. While much of the purchasing Halloween audience is likely viewing the market for only a few weeks, and thus continuing to see embossed diecuts as occasional novelty --- those watching the entire year saw many designs repeatedly available and sometimes more common than some tin toys. Will the diecut bubble burst as they become more and more visible, and new knowledge is gained about their production numbers and availability? Following ( without direct reference to buyers or sellers ) are some interesting examples of what I call the vagaries of vintage prices: ONE : It was surprising that one lot (from a well-known auction house) sold extremely weak in early September (just weeks before the big holiday). Ten German diecuts together with two product packages sold as a lot for ...