Vintage Halloween Collectibles Research (1900-1979)

The Halloween Retrospect, Volume 3: An expected release of June 2024 is slated for Volume 3, The Halloween Retrospect reference series ( link here to THR blog ) and it sits in waiting with new content in an edition mostly about haunted houses, mostly! It is hoped that vintage Halloween collectors will appreciate a deeper review at ephemera collectible (of the haunted house) by such companies as Beistle, Dennison, Hallmark (featured in book with poster), Gibson (on the cover), Norcross, Whitney, and more. Book availability will be announced on the  THR website  in the near future.  This third time around, the library’s archivist at THR has opportunity to create a double-feature article on the transformation of haunted house imagery in early 20th-century times - and such a survey is not complete without considering the amazing mid-century paper engineering (in Part 2) from the past creative team of Hallmark Cards, Inc. for which help from Hallmark Archive  is include...

Sane Halloween Observer Like a bit of everything these days, a collectibles onlooker might wonder if second-hand markets are touched by the effects of social (dis)information, as we find ourselves led  down the garden path  toward curious acquisitions.  (Other entries discussing the jumbled landscape of assumption, visibility, and resale include: Bloody Paper Cuts ,  Time Capsule Ghosts ,  Yesterday's Prices at Today's Auctions ,  Diecut Bubble? ,  Diecut Bubble 2 , as well as entry one which outlined issues of market engineering -  Sane Halloween Observers ). While the activity of resale itself is not in question, we are however in an era when experts and promoters tossed out the conflict-of-interest rulebook to instead shake hands with sellers (not always with examination of wares) at the crossroads. Overall result - altered, improperly dated, and mis-identified items reaching escalated prices without censure. Example ...

Sane Halloween Observer Does excluding the knowledge of other fields in turn affect our current understanding of certain vintage collectibles? I would attest that while each of us may have familiarity to large catalogues of past imagery (for example vintage decor images by Beistle, Dennison, Gibson, etc.), we should also ask if we (myself included) fully understand the historical context of their appearance. For example, do we know the full extent of design processes, merchandise production, and business operations ---- all of which are extremely important to properly assess time-capsule discoveries of Halloween items. If we ignore external and/or related variables we might create a powerful but incorrect interpretation. Just to play devil's advocate (with  no reference to current listings ) what follows  is historical fiction  that assumes  minimal  yet practical knowledge of the past employees of Gibson and Dennison. Note that  photo...

Sane Halloween Observer Some items, like German diecuts and tin toys, repeatedly cycle through the market, perhaps indicating that if it's in a book or often listed on ebay that its not really a rare item at all --- or maybe those items just get attention simply because they've been loudly identified? While this noise continues with a known set of collectibles, occasionally some items are a genuine surprise. The item shown in this post, and not even in that good of condition, stunned quite a few people, even old-school enthusiasts. Why are we still lacking in information about some items, even the not so rare? Here's a digital rendering of how this diecut might have appeared as whole, noting that the bottom right corner (paw and tombstone area) is obvious artistic license based on the Gibson style. Digital version (above) and photo (below) as shared on facebook  Vintage Halloween .  Digital re-creation based on image below. Image as seen on  facebook...

Sane Halloween Observer A cool black cat from Gibson (circa 1930s) that follows the character design of many of their table decoration sets. In this instance the large diecut is an articulated hanging paper decoration --- a string would attach to slots (not visible) in the rear of the limbs and create motion when the "tail-end" string was repeatedly pulled downward and released. This particular example fortunately escaped any damage from excessive teasing... though i do wonder if the visibly missing tail was simply the string or a representational tail missing from the diecut?